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MP3 The Hope Slide - The Hope Slide
10 MP3 Songs in this album (44:15) !
Related styles: Rock: Shoegaze, Pop: Dream Pop, Mood: Brooding
People who are interested in Cocteau Twins Curve School of Seven Bells should consider this download.
Details:
EARLY IN THE MORNING of January 9, 1965, a small earthquake sent the southwest slope of Johnson Peak tumbling toward a stretch of highway near Hope, British Columbia. A torrent of 46 million cubic meters of rock, mud, and debris came down and buried the cars on the road, killing four people. Only two bodies were recovered; the other drivers have remained entombed in their automobiles for 45 years.
Not a terribly uplifting event to name a band after, perhaps, but the Hope Slide is arguably no ordinary band. The duo’s members, Michaela Galloway (vocals, Moog) and John Lucas (guitar, bass, keyboards, beats), were formerly in Hinterland, a band that, through its eight-year, three-album run, consistently made the Canadian college-radio charts, performed all over the country (including on a nationally broadcast TV show), and generally built a cult following. Whereas Hinterland was a five-piece rock band, however, the Hope Slide leans more toward the electronic end of things, albeit with all the moody dream-pop atmospherics for which Lucas and Galloway are known.
The duo’s self-titled, home-recorded debut is something of a concept album befitting the band’s chosen name. The songs deal with disasters and upheavals of all kinds, including the ill-fated Franklin Expedition (“Passage”), the Triangle Shirtwaist Factory fire of 1911 (“In Ashe”), Hurricane Katrina (“Parish”), and the Green Revolution protests that followed the 2009 Iranian election (“Topple the Sky”). Why explore such heavy subjects? “Because they are external manifestations of internal, all too human struggles.” Michaela says. “Each one of these events is a human tragedy and has resulted from the aspirations and sometimes arrogance that distinguishes the human animal. The songs are largely about failed attempts to conquer nature and the heavy hand of nature—of cold, of gravity, of radiation—that returns every strike with a force we sometimes cannot withstand. Some of the songs are about human nature; about our drives to conquer one another, and our failure to help one another, and the tragedy that results from this.”
The Hope Slide was recorded mostly at home, and it will be the first release for which Submerged Records is not offering a physical product. “For us to lavish money on a big recording studio and expensive packaging would be to deny the reality of how the music business works in 2010,” says John, who is a partner in the label along with Michaela. “As a small, independent label with limited project budgets, it’s important for us to stay ahead of the curve. CD sales are at an all-time low, and we know anything we put out is just going to be on Pirate Bay within 10 minutes anyway. We want to get our music out to those who will appreciate what we do, and making it a digital release seems like the best way to do that.”
As for recording at home, John found it opened up a world of possibilities. “I think we achieved a sound comparable to a studio recording,” he says. “But at the same time, I don’t think we could have created some of these songs in a big studio. Not being constrained by time or studio rental fees allowed me to spend a long time tweaking the sounds, and putting together beats and samples in a way that I never could have done before.”
In other words, despite the inevitable frustrations, John and Michaela had fun making this album. But, given the topics covered in the lyrics, you might think listening to it would be something of a downer. “The events themselves are all horrible,” Michaela admits. “Some of these songs really are laments—meditations on tragedy, human failings, and sorrow. Other songs are tributes to the human condition, dark tributes to human aspirations—our push to the stars, to go west, to break a passage through the Arctic. They put us in contest with nature, and with each other, so sometimes the result is tragedy, but they are still beautiful drives.”
“Galloway’s near-operatic vocals keep the listener hooked.” (Vancouver Courier)
“Diminutive singer Michaela Galloway has an absolutely stellar voice.” (Discorder)
“The enchanting vocals of Michaela Galloway sound not unlike those of Liz Fraser of the Cocteau Twins and Harriet Wheeler of the Sundays to the obvious ear and on closer attention reminiscent of a certain Kate Bush especially with regard to the way she can move up and down the scales without any hint of difficulty.” (Losing Today)
“Michaela Galloway’s vocals are sultry and soaring, always with a kind of kick-your-ass
toughness that hovers somewhere between Bjork and Elizabeth Fraser of the Cocteau Twins.” (https://www.tradebit.com)
“Michaela Galloway’s voice is hair-raising.” (SEE Magazine)
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