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MP3 Denitia Odigie - Good Causes
7 MP3 Songs
ROCK: Modern Rock, ROCK: Americana
Details:
2007 is going to be a breakout year for Houston, TX native Denitia Odigie. Odigie, an alternative singer/songwriter recently attended the POP Montreal Festival and was considered “the find of the fest.” It is easy to see why the critics are raving about Odigie. Her keening, powerful vocals are very distinct in today’s alternative scene.
One listen to her new EP “Good Causes” and one can see that Odigie’s vocal ability suits her material perfectly. She can be ethereal and moody on acoustic tracks and emotional on the more abrasive, rock-oriented material. “I have a large vocal range; I tend to be pretty unpredictable.”
Denitia is a self-taught musician who has been playing guitar for over 10 years. She tends to play a lot of dark, crunchy power chords that form the basis of an avant-garde sound. “I write a lot of unconventional pop melodies and I can’t escape being autobiographical,”states Odigie, "But I am moving away from the rock band approach toward a more streamlined sound.” Denitia plans on recording 6 new songs this winter and looks forward to taking her music on the
road. “I love performing live, it is my favorite part of being a musician", stated Odigie. It is where I feel like my true self.”
"...she’s drawn comparisons to Paula Cole, Bjork, PJ Harvey and Cat Power. So where do you pin her down? Nowhere. Like a butterfly, she can be pegged to the page of a single genre and labeled as a certain kind of singer but she’s really most beautiful when you let her just fly free." - Dissolver Magazine (May 2007)
"There’s little question that Denitia Odigie spent much of the ’90s poring over PJ Harvey and Portishead albums as well as plenty of other eerie, brooding alternative rock. On last year’s self-titled EP—which she recorded with artist/producer Quiet, KY—and a more recent four-song demo, she channels tinges of the grunge aesthetic through her avant-garde melodic sensibility, introspective songwriting and wiry three-piece band. Even with the percussive barrage of electric guitar on songs such as “5 Minutes,” Odigie’s music retains an ethereal frailty, because the low, warm tones of a bass guitar are conspicuously absent. During quieter moments, the Nashville singer-songwriter’s clear soprano and acoustic guitar playing veer into tattered indie art-folk territory, like Cat Power before her Memphis excursion on The Greatest." -The Nashville Scene (July 2006)
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