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Listening to Eight to the Bar is a lot like driving along a time-warped highway precisely halfway between Count Basie''s Kansas City and Fats Waller''s Harlem, where the car radio picks up everything from "Take the A Train" to "Boogie Woogie Bugle Boy of Company B". Their original material, like their outlandish wardrobes and onstage choreo, is a colorful mix of forties jive and fifties jump blues. With their female vocals, saxophone, guitar, bass, keyboards, and drums, this unique sextet pack a musical and visual wollop not seen in New England since the group''s inception in 1975.
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