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MP3 Deadcell - Futuristic Analytical Sophisticated Terminology
18 MP3 Songs in this album (62:23) !
Related styles: HIP-HOP/RAP: Hardcore Rap, HIP-HOP/RAP: Trip Hop
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Details:
A little info about the artist:
Deadcell is truly a “One Man Band”, though, it wasn’t always this way. My musical career began at 7 years of age. I gained a high interest in the piano from listening to my mother play while dinner was preparing. She showed me basic chords and taught me many of the simple riffs and jingles we all grew up with, like chopsticks. As time grew on, the piano diminished from the household. At the age of 9, I was given my first Casio Karaoke Machine. I loved that thing. I remember filtering through old tapes and would play one while recording to another. Then, play that tape and bounce a new track to the next cassette. Sometimes I would use up to ten tapes and dub tracks much like a multi-tracker. I hung sheets in my bedroom and nailed the microphone to the ceiling. This was back when Radio Shack was all that was available for your studio recording needs. Many ask me if I started out rapping fast. The answer is “Yes”. My first verse that I can remember I wrote at 9, maybe 10 years old. I was always tempted by the styles of artists like Bone Enterprise, later to become Bone Thugs-n-Harmony, Do or Die, and even MC Hammer(man how the times change). I took a particular interest in production right before my teens.
At 13 I recorded my first album. It was a full-length album, though poorly mastered, considering I had little understanding at that time. I would later come to record 7 more full length albums, most never seeing an actual press date. This would be the birth place of my first rap alias, So-Less-T-oL. This name wouldn’t last very long. My first collaboration project was with a close friend whom I actually helped develop their rap skills, and mold a “rapid-fire” spitting duo. Thus, Chrome and Ramee’s was born. We called ourselves “Da’ Posse”. Eventually we would change the group name to N.Y.F.B., None of Your Fucking Business. In 1998, we produced 3 full albums, and actually lost one entirely. It wasn’t until 1999 that the group became known as “Third World Tribal” and I would officially be anointed as Deadcell.
I honestly can’t recall where the conception of the name came from. This was before the small militant group operated under snake infiltrated the game systems (Metal Gear Solid). I do remember my first computer though. This would be the beginning of a life long journey to pursue music as a passion, hobby, art and eventually a career. Music is to me what it is too many, an escape. It has comforted me through the loss of my family. It has consoled me on the various medical complications I have suffered through the years. It has given me strength at times where so much has been taken away. It reminds me of who I am and where I come from. It is the building blocks of which I stand as a testament to those who have triumphed the worst possibilities. It’s made me cry, laugh, forget and forgive. It is me, and I am Music. It would eventually lead me to start a side project label in 2002 entitled Tri-Pyramid Productions. I spent 2 years composing several projects, many of them collaborative efforts. In 2004, I released my first professional LP, Birth of TriCardialism. In 2005, I completed two albums, Phlock Uv Pharoahz and Triplicity, both were never released. In 2006, I moved to Orlando to broaden my musical horizon and attempt a new start at life. While in Orlando, I was blessed to meet many great artists like myself and really get a world view of how to operate a label and manage my own music. I began yet another album project that would come be known as All Elements. This album was three years in the making and was finally completed earlier this year. All Elements represents my diversity and growth as a person, as well as, a musician. I am already in the works of a brand new album with full professional quality and it is set to release later in the year. I thank everyone who has bought a cd or some other type of effect. Also, thanks for being supportive of my sound and structure. It is the people that allow this type of music to have a place in today’s society. Who knows what the future brings.
A little info about the CD:
F.A.S.T. is an acronym, which stands for Futuristic Analytical Sophisticated Terminology. This full length release fires nothing short of its mark. Deadcell displays a very "ahead-of-it''s-time" appeal to this album, bringing a style unexplored in the current rap genres. This album reaches out to its rhetoric and takes them on an hour long jaw dropping experience. F.A.S.T. is an undisputable display of accurate grammar and bewildering semantics. deadcell really showcases his intellectualism on this release. Traversing with smooth sounds and bold paradigms, he Deadcell brings a level of rhythm seldom seen in today’s music. Something must be said about the style within this CD. Contained on this album might be the most profound, unique and purely exquisite wordplay ever brought to hip-hop. If there is any one person who is truly bringing something original to music, its Deadcell, and F.A.S.T. is that album. Few artists bring their writing and their instrumentals so close together the way Deadcell does. Most beats are crafted by the note to bring a solid blend to the music. F.A.S.T. IS one of the most unique albums of our time.
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