MP3 Night Surgeon - Day for Night
Electro pop duo NIGHT SURGEON''s debut album. The nine track album was produced and mixed by Gabriel Espinosa (Blondie, Fisherspooner, Mobile) and features original artwork from Aidan "Brute" Hughes (most commonly known for his work with KMFDM).
9 MP3 Songs in this album (39:46) !
Related styles: Electronic: Electro, Pop: New Wave, Mood: Fun
People who are interested in Cut Copy Depeche Mode Placebo should consider this download.
Details:
Night Surgeon:
Patrick Replogle-Vocals, Guitars, Synths
John Boyd- Drums, Piano
All songs written by Patrick Replogle
Recorded at the Map Room Studio (Portland, OR) August ''10
Produced and mixed by Gabriel Espinosa
Engineered by Patrick Replogle and Gabriel Espinosa
Mastered by Ryan Foster at Freq Mastering
Artwork by Aidan "Brute" Hughes
“Night Surgeon grab your hand and take you through their personal sonic landscapes of musical bliss. These songs drip with passion and sharp musicianship. You won’t want to let go because their music will fix and heal your soul. Surgeon’s indeed.” (Will Oliver, We All Want Someone To Shout For)
“Portland, Oregon-based twosome Night Surgeon—composed of Patrick Replogle and John Boyd, who are both Berklee alum—aren’t your typical flash in the pan electronic band who hope to spend most of their fleeting fifteen minutes accumulating hype without the sonic chops to back it up. Instead, this Pacific Northwest outfit create complex yet accessible songs that are deliciously effervescent without the throw-away frivolity.” (Hauley Kaufman, Oakazine Magazine)
Usually when reviewing an album, I would pick out particular songs as being “highlights”, however on this occasion I thought every song on the album deserved a mention, as I thoroughly enjoyed every one of them!” (Stephen Chadwick, Noise Porn)
“Electronic pop with a strong emphasis on purpose and intent. Injecting a bit of soul into the machines is a beautiful thing to behold when done correctly and this duo appears to have an idea of how to write songs and add a bit of the “oontz” later.” (Billy Suede, The Boy with the Thorn in his Side)