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MP3 Tony Loeffler & The Blue Angels - Feeling Good
10 MP3 Songs in this album (81:17) !
Related styles: Rock: Roots Rock, Spiritual: Contemporary Gospel, Christian
People who are interested in Bob Dylan Johnny Cash T-Bone Burnett should consider this download.
Details:
Rooftop Series 2, "Feeling Good"
Produced by Tony Loeffler
Engineers and mixed by Lenny Belli and Tony Loeffler
Mastered by Earl Bennett
Recorded on the Rooftop of the Passaic County Jail., Paterson, NJ
OH DADDY
Lead Vocal, Mary Taylor
VICTORY
Lead Vocal and drums, Bob Ferrainolo
Rhythm Guitar, Tony Loeffler
BGV''s, Karen Sibilia, Mary Taylor, Tony Loeffler
Bass, John Hess
Lead Guitars, Gene Palombo and John Concepcion
Keyboards, John Concepcion
FINISH LINE
Lead Vocal and Rhythm Guitar, Tony Loeffler
Bass, Kenny Schweighardt
Lead Guitars, Wayne Scott Farley, Gene Palombo
Drums, Bob Ferrainolo
BGV''s, Karen Sibilia, Mary Taylor and Bob Ferrainolo
Sax, Leon Devose
Keyboards, Matt Mattero
EYE ON THE SPARROW
Lead Vocal and Bass, Lonnie Whitfield
Keyboards, Henry Mitchell
23RD SONG
Lead Vocal and Acoustic Guitar, Tony Loeffler
Drums, Bob Ferrainolo
Keyboards, Henry Mitchell
Bass, Lonnie Whitfield
Lead Guitar, John Concepcion
LIGHT OF LIFE
Orator, Mark Tirondola
ARE YOU READY
Lead Vocal and Rhythm Guitar, Tony Loeffler
BGV''s, Female Inmates from the Passaic County Jail
Bass and BGV''s, Lonnie Whitfield
Keyboards and BGV''s Henry Mitchell
Drums, Larry Williams
Lead Guitar, John Concepcion
WE''VE COME THIS FAR BY FAR
Lead Vocal and Keyboards, Henry Mitchell
BGV''s, Female Inmates from the Passaic County Jail
Bass and Vocals, Lonnie Whitfield
Lead Guitar, John Concepcion
Drums, Larry Williams
YEAH, YEAH
Lead Vocal and Keyboards, Henry Mitchell
Bass and Vocals, Lonnie Whitfield
Lead Guitar, John Concepcion
Drums, Larry Williams
AMAZING GRACE
Orator, Tony Loeffler
Vocals, Karen Sibilia
Reviewed by Mike Rimmer, Cross Rhythms, UK
Volume 2 ‘Feeling Good: Anointed is a word much bandied about in these days of the move of the Holy Spirit and sometimes it can be cheapened by overuse but in this case, please don''t devalue what I''m about to say. These tapes are probably some of the most anointed albums I''ve ever heard. The series was never intended for public consumption, they are simply recordings of concerts which Tony and the band played on a prison rooftop in New Jersey between 1990 and 1993 as part of a ministry that enabled 10,000 prisoners to become Christians during that four year period. Listening to these, it isn''t hard to see why those incarcerated responded to the Gospel, the Holy Spirit permeates each song, each testimony and each altar call. If you want to lead others to Jesus, these tapes will stir you into action because these guys don''t mess around! Production wise, this isn''t state of the art technology but there is so much going on that you don''t notice! The Blue Angels are a floating backing band whose line up changes over the four-year period so depending on who is playing you get a slightly different flavour to the songs. Loeffler obviously has his favourite songs, so, for example, you get many versions of the eschatological epic "Finish Line" which is powerfully prophetic and each version has a different twist to the rest! Often the band gets into a Santana-style groove and just stays there vamping and ad libbing and it works. There are about six hours of music in the series and it would take me the whole of the review section to describe it all so here are edited highlights... Volume 1 is probably the most passionate of all the series, the music is powerfully funky and the preaching is amazing! This is a band that takes its ministry seriously, Loeffler himself was in prison seven times and associate Mark Tirondola who preaches a short word on each tape was in prison nine times. These are men who know what prison life is like and that communicates in the way they present the gospel. Volume 1 is a good example of this because Loeffler''s gospel message that closes the tape is hard hitting using street level language that works. On a number of the songs the band breaks into huge instrumental passages that demonstrate their musical virtuosity. Standouts are a ferociously funky "Finish Line" and a version of "See The Valley" that contains some stonkin'' guitar.
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